Vocem Internum

dc.contributor.advisorKarathanasis, Konstantinos
dc.contributor.authorAndriotis, Ioannis
dc.contributor.committeeMemberKendall, Daren
dc.contributor.committeeMemberLamb, Marvin
dc.contributor.committeeMemberPederson, Sanna F.
dc.contributor.committeeMemberEllis, Sarah J.
dc.date.accessioned2018-05-10T18:53:58Z
dc.date.available2018-05-10T18:53:58Z
dc.date.issued2018-05
dc.date.manuscript2018-04
dc.description.abstractMy dissertation project served as an opportunity to explore the various technical and aesthetical concepts of electroacoustic music composition. Over the last few years, my main focus was on composing a live electronic piece for an acoustic instrument and computer by creating my own method for composing, programing, and performing live electronic music. Hence, my dissertation project can be viewed as a twofold process: the first was composing Vocem Internum, or Vocem in short, for alto flute and electronics, and the second was a research project on the design of my own compositional method using MaxMSP by Cycling74. In chapters 1-6 of my support document I will discuss my compositional process and influences, provide a formal analysis of my piece, touch upon concepts of my decision-making process in regard to choosing materials and Digital Signal Processing (DSP), and lastly, explain the music notation process. Chapters 7-8 will focus on the reasons that led me to creating my own compositional method for live electronics instead of utilizing existing methods. Also, in these chapters I will explain the core and main design of my compositional system.en_US
dc.identifier.urihttps://hdl.handle.net/11244/299841
dc.languageen_USen_US
dc.subjectMusic Compositionen_US
dc.subjectLive Electronicsen_US
dc.subjectAlto Fluteen_US
dc.subjectMaxMSPen_US
dc.thesis.degreeD.M.A.en_US
dc.titleVocem Internumen_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Musicen_US

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