Dialog and dualism: A study of Lutheran theology applied to selected Buxtehude vocal cantatas.

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dc.contributor.advisorWagner, Irvin L.,en_US
dc.contributor.authorSimmons, Shelbie.en_US
dc.date.accessioned2013-08-16T12:20:22Z
dc.date.available2013-08-16T12:20:22Z
dc.date.issued2006en_US
dc.description.abstractThe objective of this document is to examine fundamental Lutheran theology derived from the concepts of Martin Luther as they are manifested in three selected cantatas of Dieterich Buxtehude (1637-1707). The theological perspectives are based upon Luther's concepts of the dialog between the individual or community of believers with God against the Devil and of the dualism of Law versus Gospel.en_US
dc.format.extentv, 108 leaves :en_US
dc.identifier.urihttp://hdl.handle.net/11244/1090
dc.noteAdviser: Irvin L. Wagner.en_US
dc.noteSource: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3649.en_US
dc.subjectChurch music Lutheran Church.en_US
dc.subjectTheology.en_US
dc.subjectMusic.en_US
dc.subjectBuxtehude, Dietrich, 1637-1707 Criticism and interpretation.en_US
dc.thesis.degreeD.M.A.en_US
dc.thesis.degreeDisciplineSchool of Musicen_US
dc.titleDialog and dualism: A study of Lutheran theology applied to selected Buxtehude vocal cantatas.en_US
dc.typeThesisen_US
ou.groupWeitzenhoffer Family College of Fine Arts::School of Music
ou.identifier(UMI)AAI3237520en_US

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